![]() ![]() ![]() Feed them a poor signal and they are skilled at revealing the shortcomings without shouting about them. Sonically, they're smooth, even-handed and wonderfully refined for the money. They benefit from a bit of inward angling too, but thanks to their wide sound dispersion you don't have to worry about being millimetre perfect. While competition at this price comes from the impressive Elac Debut 2.0 F5.2 and five-star Fyne Audio F302i, we still consider the Wharfedales to be supremely good value.Īt 98cm tall, the 12.3 aren't massive speakers, but they benefit from having space to breathe. The Diamond 12.3 sound even more impressive than the renowned 12.1, and considering the 12.1 are five-star speakers, that's quite some praise. Wharfedale's Diamond range is a great bet as a solid budget standmounter, but it wasn't until the Diamond 12.3 that the brand made a really outstanding affordable floorstander – we like it so much we've given it multiple Awards trophies now. Perform best if given a little room to breathe When partnered with care they deliver a wonderfully expressive and insightful performance that’s class-leading at this level. While the more expensive Wharfedale Evo 4.4 provide a sophisticated alternative, Q Acoustics 5040 are even-handed performers that simply step out of the way of the music and let songs shine. Tonally, these floorstanders sit just on the lean side of neutral, but not so far as to cause issues. We like the way these towers always sound composed and controlled, and that sense of organisation doesn’t falter when the music becomes demanding. It's a spacious, well-focused sound with impressive stereo imaging. Match them with more refined partnering electronics (these speakers can be rather transparent, impressively so), and the 5040 sound wonderfully clear and precise, with ample agility and grip to deliver a sense of great fun. Q Acoustics' previous efforts have tended to be unfussy, but these 5040s need a bit more care with positioning and partnering equipment. This new driver has a geometry that Q Acoustics claims to combine the rigidity advantages of a standard conical cone profile with the high-frequency break-up characteristics of a more flared design. New to the range is the Continuous Curved Cone design for the mid/bass drivers. The 5040 is the smaller of the two floorstanders in the range and should fit neatly into most rooms, with a solid and well-made build quality. Q Acoustics' new 5000 series sits in between the budget 3000 series and the premium Concept range. Not as forgiving as previous Q Acoustics models ![]()
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